
Anthony J Parké is a London-based artist whose artistic practice emerged along a nonlinear path: beginning with conceptual sculpture, he later turned to painting after formative years at Kingston Polytechnic, followed by advanced studies in Philosophy and Literature. This interdisciplinary foundation underpins his approach to image-making, where philosophical inquiry meets aesthetic experimentation.
Parké’s paintings are best described as figurative landscapes that inhabit a space between realism and psychological theatre. They evoke a sense of disequilibrium—enigmatic, claustrophobic environments inhabited by spectral figures who appear to drift through states of tension, isolation, and uneasy intimacy. These figures often seem trapped within their surroundings, their gestures half-formed, their presences uncertain. Through such scenarios, Parké explores the fragile boundaries between self and environment, presence and absence, reality and imagination.
His practice engages deeply with questions of psychological and sociological anxiety. Within each composition, interactions between figures feel strained, ambivalent, and unresolved, reflecting broader concerns about alienation and the fractured nature of contemporary existence. Yet the focus remains firmly on the human condition itself—its ambiguities, vulnerabilities, and search for coherence amidst confusion.
The human figure stands as the central metaphor in Parké’s work. Unadorned and often solitary, it becomes both subject and symbol, navigating environments that mirror the internal architecture of thought and emotion. His paintings resist explicit narrative or fixed interpretation; instead, they present a series of existential tableaux—moments suspended between recognition and uncertainty. In these works, space functions less as physical terrain and more as a psychological construct: a complex, mutable field in which human consciousness unfolds.
Ultimately, Parké’s art invites contemplation rather than conclusion. Each painting operates as a fragment of a wider inquiry into what it means to be human—to exist within and against the pressures of environment, memory, and time. Through this, he sustains a visual language that is both introspective and universal, personal yet resonant with collective experience.
SELECTED PAST EXHIBITIONS
2024 - Bankside Gallery, Royal Society of Miniatures, UK
2022 - Zari Gallery, Ascension, London, UK
2022 - Manchester Art Fair
2022 - Zari Gallery, BHM, London, UK
2021 - Mall Galleries, Figurative Art Now, UK
2019 - Mall Galleries, Royal Society of Miniatures, UK
2019 - Hanbury Manor Estate, Hertfordshire, UK
2019 - Brocket Hall Estate, Welwyn Garden City, UK
2019 - The Saffron Walden Gallery, UK
2019 - Westcliffe Gallery, Norfolk, UK
2018 - All Saints Church, Herts
2017 - Mall Galleries, Royal Society of Miniatures
2016 - Bell Fine Art/ Affordable Art Fair, Battersea
2016 - Catto Gallery, Stock show, London, UK
2016 - Bell Fine Art - Winchester, UK
2015 - Saffron Walden Gallery - Summer Exhibition, UK
2015 - Catto Gallery - Easter Exhibition London, UK
2015 - Catto Gallery - Window of Opportunity - London, UK
2014 - Catto Gallery - Summer Show - London, UK
2014 - Summer Salon, IAF, Islington, London
2014 - Catto Gallery - Solo show - London, UK
2014 - Beaux Arts Bath, Affordable Art Fair, Battersea
2014 - Catto Gallery Mixed Show, Hampstead London UK
2014 - The Gallery, Stoke Newington, London UK
2013 - Arthaus Gallery, Hertfordshire UK
2013 - The Arches Gallery, East London UK
2013 - Courtyard Arts, Hertford, UK
2010 - The Gallery, Hornsey Library
2006 - Kudos, East Finchley, UK
2003 - The Crocodile Gallery
1993 - L’Orangerie, Acton, UK
1993 - Kingston Museum, UK
1992 - Waltham Forest Grad. Show, UK
SELECTED BIBLIOGRAPHY
2022 - The Art Market Magazine, Issue 69
2020 - Elizabeth Barden 'Artist's Can...'
2018 - Islington Journal, October 28th
2018 - Islington Gazette, October 25th
2018 - The Guide Artists Magazine, Featured Artist
2018 - Equilibrium Magazine, Spring Issue 63
2014 - Into the Glass: Hyperreal Paintings of Anthony J. Parké,
Foreword: Edward Lucie-Smith
2014 - Camden New Journal, May 15, No.1661
2014 - Catto Gallery Catalogue - Solo Show 2014
2014 - Cork Street Open Catalogue, 2014
2013 - Book: East Finchley Open Arts 10th Anniversary
2013 - Equilibrium Magazine, Spring Issue 46
FILM /INTERVIEW
2014 - Interviewed by art historian, critic and poet,
Edward Lucie-Smith
AWARDS
2019 - Royal Society of Miniatures, Connoisseur
Commendation Award
2018 - Islington Arts Society Annual Exhibition Peoples Choice Award
2017 - Royal Society of Miniatures, Gold Memorial Bowl, Honourable Mention
2017 - Courtyard Arts Open, Herts, Highly Commended
2016 - Hertford Society Open Exhibition, Peoples Choice, Runner up
EDUCATION
2012 - St Martins School of Art, Advanced Anatomical Drawing
1999 - Masters Degree – English Literature, O.U
1993-1997 - Honours Degree – Combined: Fine art (Kingston)/ Philosophy (O.U.)
1989-1991 - Fine Art Foundation Diploma, Waltham Forest
TALKS
2016 - Guest Speaker: Art Business Success Summit, London.
2013 - Collett School, Hemel Hempstead UK
2013 - Coleridge School, London UK